Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Luca Carlevaris
Entry of the Earl of Manchester into the Doge's Palace

ID: 00331

Luca Carlevaris Entry of the Earl of Manchester into the Doge's Palace
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Luca Carlevaris Entry of the Earl of Manchester into the Doge's Palace


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Luca Carlevaris

1665-1731 Italian Luca Carlevaris Location Luca Carlevarijs or Carlevaris (1663 - 1730) was an Italian painter of landscapes (vedutista). Carlevarijs was born in Udine, but worked mostly in Venice. His veduta of Venice are among the earliest Baroque depictions of the city. He was influenced by the Dutch painter active in Rome, Caspar van Wittel (often called Vanvitelli). The painters Canaletto and Antonio Visentini are said to have been highly influenced by or pupils of his. Johan Richter did work with him.  Related Paintings of Luca Carlevaris :. | Posthumous Portrait of Margueite Landuyt | julotta | The Arts and Sciences | A capriccio of architectural ruins with a seascape beyond | Madame de Caumartin as Hebe |
Related Artists:
Johannes Deiker
painted Schwarzer Setter apportiert Hasen in winterlicher Landschaft in 1886 1822-1895
h. c. etcherry

Jacob More
1740-93 Scottish painter, active in Italy. The son of an Edinburgh merchant, he was first apprenticed to a goldsmith and then, from 1766, to the Norie family of house-painters. In the 1760s he produced numerous sketches of the Scottish Lowlands (examples Edinburgh, N.G.), and in 1769 he designed and executed stage sets at the Theatre Royal, Edinburgh, for the first productions after the legalizing of the theatre in Scotland. More's Edinburgh period culminated in a series of oil paintings of the Falls of the River Clyde, three of which are in public collections: Corra Linn (Edinburgh, N.G.), Stonebyres Linn (London, Tate) and Bonnington Linn (Cambridge, Fitzwilliam). These paintings are regarded as the first serious artistic interpretations of the Scottish landscape, depictions by previous artists having been essentially topographical in character. More took a set of three of them to the Society of Artists Exhibition in London in 1771, at which he gained widespread recognition and the personal encouragement of Sir Joshua Reynolds.






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